The biggest wall is left
The project is finished down to the socket, and the space above the sofa is still empty. A poster off the internet ruins an effect built over months.

I'm Wojtek Królik, a production engineer and painter. I paint for one specific interior: its dimensions, its palette, its light. You get a file for the visualisation, the client decides on the render, and I take the whole production on myself.
See how we workscroll to the modelI work with interior designers and architects who have reached the point where the largest surface in the frame is left, and it cannot hold just anything.
The project is finished down to the socket, and the space above the sofa is still empty. A poster off the internet ruins an effect built over months.
They don't want the piece their neighbour has in the living room. A painting made for this project is, by definition, the only one.
I start from your palette, not mine. The work follows the materials, the lighting and the way the windows face.
Three metres above the sofa or a narrow vertical in the hallway. The size comes from the floor plan, not from a list of standard sizes.
Before anything is made, you get a digital sketch to drop into the render. The decision is made on an image.
We settle 70/30. Your 30% comes off the final price, and the production stays with me.
You send the plan, the visualisation and the palette. We agree on the wall, the format and the role the work plays in this interior.
I draw the proposal and hand over a file to drop into the render. Colour and composition get corrected online, until approval.
Print, canvas, stretcher bars and the physical painting are on me. Material costs are on my side.
The work ships protected and ready to hang, signed. We set the date once the draft is approved.
Every proposal starts with a digital sketch. You get a file to drop into the visualisation, so the client looks at something concrete instead of a description. You buy the draft outright, not "on trial" for a single project.
A fee for preparing the proposal, paid upfront. The draft fee is not credited against the production, because the design passes to you for reuse.
I don't step into your project and I don't talk to your client over your head. You run the interior, I answer for what ends up on the wall.
Materials, print, painting, preparation for mounting and the quality of the work itself.
Your commission off the final price, already included in what the client pays.
You drop the sketch into the render and show it to the client. Corrections happen online, until full approval.
The whole logistics sits with me: print, canvas, physical painting and preparation for mounting.
The 70/30 split is fixed, we do not renegotiate it per project. You know upfront what stays with you.
The same proposal can be executed four ways, from a print to an original on canvas. The level follows the client's budget, not the other way round.
| Finish | Base price |
|---|---|
Pigment print archival Fine Art paper, unframed | from 700 PLN |
Canvas on stretcher pigment print on canvas, stretcher bars | from 1,200 PLN |
Original painting acrylic or mixed technique on canvas | from 3,500 PLN |
Custom scale formats above 150 cm and wall works | individual quote |
Starting prices apply to standard formats (50 × 70, 70 × 100 cm). The final cost depends on the size and the technical specification. Material and print costs are covered on my side.
Four works from the gallery, so you are not buying a description. Techniques and formats are examples, since a new composition is made for your project anyway.
Lavender PerspectiveAcrylic on cardboard · 70 × 50 cm
The Road of BlueAcrylic on cardboard · 70 × 50 cm
The Architecture of TransparencyAcrylic on cardboard · 70 × 50 cm
TurbulenceAcrylic on cardboard · 70 × 100 cmA file to drop into the visualisation, and as many rounds of colour and composition corrections as it takes for the client to say yes.
I do. Canvas, stretcher bars, print and preparation for mounting are inside the price of the work. You add nothing to the production.
Off the final price of the work, the one the client pays. The commission is already inside it, so it does not raise the bill above the agreed amount.
Yes, that is the starting point. Send material samples, a paint code or photos of the interior in daylight.
I set the date once the draft is approved, because it depends on the technique and the format. A print takes days, an original on canvas needs considerably longer.
I'm not a VAT payer, so I invoice without VAT. That makes it easy to pass on to the end client without adding tax on your side.
A floor plan or a visualisation and the palette is enough. I reply with a proposed format, technique and price range, before you order any draft.
I answer personally, not through an assistant or a form in the cloud.
Send the project[email protected]30 minutes online. I break your current image down to its parts and give a concrete direction. No obligation to continue.