01I build visual systems with engineering precision.
Engineering your Image. Painting your Vision.
Art with a second layer.










I studied production engineering. Before I drew my first logo, I optimised processes and calculated tolerances. That is not a biographical footnote. It is the source of the question I start every project with – the one most designers do not ask.
For companies I design visual systems that remove the need to explain yourself at every new contact. For collectors I make works where every formal decision has its why. In both cases the question is the same: what is this really meant to mean – and what happens if we do not say it.
I do not fit into one box. And that is exactly why I deliver a different result than someone who does.
My starting point is production engineering – for a while I thought it was a mistake. Today I know it was the plan. That is where my systems thinking comes from: before I draw the first line, I ask how it will work ten years from now.
Painting and sculpture gave me something no textbook holds – the ability to read what a client cannot put into words. In design the head works; in art, the hand and instinct. Both sides sit down to every job.
Three projects I am most proud of. Each started with a different question – and ended as a system, not a single file. Hover over a work to see the process.
From a single mark to a full system with rollout. Every package starts the same way: a conversation about what the brand should mean.
Logo, visual system, brand book, rollout. A brand that stops needing explanation.
Acrylic painting, digital print, sculpture, commissioned work. Form that has its why.
A mark design starts at 4,000 PLN, a full visual identity at 10,000 PLN, and a complete brand system at 25,000 PLN. A website is an extra from 4,000 PLN. The "from" price is the entry threshold – I give the final figure after we talk and define the scope.
No – and I do it on purpose. Even the Mark package includes colours and typography, because it is a micro-system – it gives a brand the minimum that actually works, not a single symbol. A logo without a system works like an engine without a car – technically it exists, but it goes nowhere. These elements are the start of a full identity; I will tell you plainly when such a minimal system is enough and when it is better to build it out further.
An identity project takes about 8 weeks on average. The first week is conversations, sketches start in the second, and building the system – mark, colours, typography, materials – follows in the next ones. I aim for a working system resistant to production errors, not a quick file.
KRÓLIK is a one-person studio – I am a production engineer, designer and artist at once. I design from process: I define how a brand should work and what it should mean, and the aesthetics follow from that. You work directly with the maker, without a chain of account managers and subcontractors.
Yes. I paint with acrylic on canvas and create digital paintings to order – from small pieces to large works for representative spaces. Every piece starts with deciding what it should communicate.
Behind KRÓLIK stands Wojtek Królik – a production engineer, designer and artist in one. I build visual identity systems for founders. I run the entire project personally, from the first conversation to rollout.
Yes. I work remotely, with clients from all of Poland and from foreign markets. I run collaborations in Polish and English – consultations take place online, and the finished identity system is delivered digitally. Pickup or shipping of physical works is arranged individually.
Before you write – one question: what are you ashamed of in your brand’s current image? Sounds simple. Changes everything.
[email protected]Before I design anything, we sit down to talk online. Half an hour where I ask questions no one has asked you before – and you leave with a clear direction.
30 minutes online. I break your current image down to its parts and give a concrete direction. No obligation to continue.